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Saturday, August 13, 2016

WITMonth Day 13 | Memoirs of a Woman Doctor by Nawal el-Saadawi | Review

If I had to give Memoirs of a Woman Doctor by Nawal el-Saadawi (translated by Catherine Cobham) a one-line review, I'd probably say that it was an interesting (if forgettable) book that didn't really move me much in any direction.

That makes writing a review a bit difficult, particularly in light of the long gap between when I read it and the time of writing this review. I recall the feminist message of Memoirs of a Woman Doctor fairly clearly (particularly the fact that it doesn't always resemble "Western" feminism), as well as the relationship the narrator had with her brother. But that's about it. It's only by browsing now that I recall the narrator's failed marriage, the struggles she has in establishing her practice. The way the role of a woman within Egyptian culture is central to the plot. Even the narrator's musings on the failings of modern medicine in relation to her own desires.

This sort of amnesia doesn't bode very well for this novella. Truthfully, it's not all that good on a technical level. That is... conceptually, it's a powerful, interesting narrative, with a strong message about women's roles and feminism in an at-times unyielding world, alongside a central theme of mother-daughter relationships. But the writing is awkward, the story is that weird balance of not-fully-fleshed and poorly-padded. Parts of it felt like they were written too directly, thoughts to page without any literary adjustments along the way.

Memoirs of a Woman Doctor is a great example of a book that is improved by its context. Under normal conditions, there is little to recommend here (especially since the book is extremely slight, and the font surprisingly large...), yet the content - and the complex world this content lives within - is almost important enough to justify giving the book a second glance. No, it's not particularly well written (though there are a handful of beautiful lines and images), nor is it an inherently moving text. But its position as a frank literary piece chronicling a somewhat unique position alongside a rarely heard feminist worldview makes it interesting. And also, yes, important. Its voice may wobble, but it has something to tell.

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