For all my love for August 1st, I have to admit that some years I find myself looking forward to August 31st just a bit more. The beginning ...

This isn't the post where I'll talk about what women in translation and WITMonth specifically look like worldwide. While I posted my...

There's a lot of meta to unpack before I can write about Léonora Miano's Dark Heart of the Night , translated from French by Tamsin ...

I've been thinking a lot about pain and joy lately. The world is going through a lot. We  are going through a lot. And in these tough ti...

You know what's one of the most frustrating trends in the literary world? Different titles for the same book. This phenomenon is underst...

On this day last year, I published the final list of the 100 Best WIT. The idea behind the 100 Best WIT started, originally, as a response t...

 (NOTE: An English summary of this data will be shared in a separate post.) "חודש נשים בתרגום" "נשים בתרגום" זה לא מושג ...

I've written before about the astonishing gaps among academic publishers in publishing women writers in translation. My first exposure t...

When Tilted Axis Press announced their first Translating Feminisms  series during WITMonth back in 2018, it was obvious that I needed to bac...

I'm not sure when I first learned about the concept of mirrors versus windows in literature or from who, but it's somehow become cen...

I first heard of Chantal T. Spitz at the wonderful, inaugural Translating Women conference last year . Spitz's English-language translat...

I've seen some posts lately that have made me want to remind everyone that WITMonth is an opportunity to boost and support women writers...

I was not  expecting The Restless  to be what it was. Gerty Dambury's novel (translated from French by Judith G. Miller) somehow struck ...

I've been working my way through the absolutely phenomenal New Daughters of Africa  for the past several months now. I'm 2/3 of the ...

 It's an odd thing to retroactively compare a book to another that you read later, and yet this is what happened to me with Ambai's ...