It would be strange of me to go through a whole month discussing women writers in translation without also talking about those women writers I don't actually read in translation, but don't read in English either. To be honest, I haven't actually read very many books by Israeli women, a curiosity which I've been trying to understand and explore over the past few months.
I've started to fix that recently, and though this list won't be particularly long (because I have not had the opportunity to truly dig deep), I thought I'd highlight a couple interesting and or particularly translation-worthy books.
The first is the inaugural (and thus far only) title in the "translate this book" tag - Bella Shaier's Children's Mate. This collection of three stories is absolutely brilliantly written, and casts such a fascinating light on different aspects of Israeli and immigrant societies. Feel free to check out my full recommendation for more.
The second is a book I'm not sure I'd define as having liked, but it was very interesting, particularly in the portrait it painted of a younger, less traditional Israel - Kinneret Rosenbloom's Loves' Story (I've seen references to other possible English titles, so please take this with a grain of salt). It's a novel unlike most translated into English - it's not a post-modern musing, nor is it a political piece. This is the sort of book I could easily see translating well, not least because much of its approach and style is very Anglo, while its attitude is purely Israeli (and purely Tel Aviv Israeli at that). I had several issues with it as a novel (and with certain stylistic and thematic choices I could not for the life of me understand the need to include), but it was the sort of book that clung to me and kept me hooked throughout.
Next up is a recent release - Inverted Cry, by Celine Assayag. Inverted Cry is the latest in a long line of Israeli child-of-immigrant stories, always emerging just as that generation is coming into its own adulthood. In this case, we have Assayag's presentation of the poverty of Bat Yam (a city near Tel Aviv) in the 1970s (when she herself would have grown up). The story is loose and messy at times, with certain scenes and incidents happening in ways that don't always make sense, and small inconsistencies that I simply couldn't figure out. But its core is very, very good. There's a lot of sharp social commentary, and an important presentation of underrepresented portions of Israeli society. Assayag doesn't shy away from discussing the actual impact of immigration either, with constant references to the previous life in Egypt, and parallel family in France.
Finally, I'd like to address a few authors whose books I personally did not enjoy very much, but who have achieved great acclaim in Israel without getting translated into English. These include women like Lea Aini, whose novel Lebanon Rose was a little drawn-out for my taste, but was quickly lauded in Israel by almost all critics, or Ronit Matalon's The Sound of our Steps (which deals with themes very similar to those in Inverted Cry, yet predates it by several years) which was recognized as one of the best Israeli books of the decade. We also have authors I have enjoyed (like Gail Hareven), who had one book translated into English (to great acclaim, I should add) and none of her other brilliant works touched.
And then there are hundreds of other Israeli women writers I simply haven't gotten around to. Yes, Hebrew is generally overrepresented in translations relative to the population, but if we're already going to be translating so much out of it, I would love to see more of our brilliant women writers getting the stage as well.